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9 Sep, 2020 (Wednesday)

New China Life Insurance Company (1336) has pushed forward the development strategy of "1 + 2 + 1" with life insurance business as the main body, wealth management, old-age care and healthcare as two wings, and technology empowerment as the support. The Company continues to integrate assets and liabilities through products, putting in place the development strategy of asset liability dual engines driving both volume and value growth. In the first half of 2020, the Company realized gross written premiums (GWP) of RMB96,879 million through both long-term and short-term insurance business growth, increasing by 30.9% compared with the same period of last year. The growth rate is much higher than the 6.46% average growth rate of the industry. (I do not hold the above stock)
Buy-in Price: $29.50, Target Price: $32.00, Cut Loss Price: $28.00

In 1H20, Kaisa Prosperity`s revenue increased by 32.7% to 741 million yuan and the profit attributable to shareholders increased by 31.4% to 119 million yuan. Property management services increased by 56.2% to 365 million yuan, accounting for 49.2% of total revenue. It is stationed in 42 cities across the country, with a total management project of 304 and a GFA under management of 53 million square meters. The company completed the allotment of shares on June 23, 2020, and raised a net amount of approximately HK$451 million. As of June 30, 2020, the group`s cash and bank balances were 1.195 billion yuan, and the current ratio was 2.33 times. It is believed that its financial strength can provide funds for business development and investment, accelerate the acquisition of non-residential management projects, further expand scale, and improve related business layout.
Buy-in Price: $26.00, Target Price: $29.00, Cut Loss Price: $24.50

Maoyan Entertainment (1896.HK) - The storm is over, Expecting a huge rebound of movie sector in 2H20

Investment Summary

The 2020 H1 interim result

Affected by the epidemic, the company's 1H20 revenue was down by 89.8% yoy to RMB 203 million. The gross loss/net loss/adjusted net loss for the period were RMB 20.56 million/ RMB 431 million / RMB 307 million respectively. In terms of business segments, the company's online entertainment ticketing revenue was RMB 103 million, decreased by 90.4% yoy. The entertainment content service revenue was approximately RMB 15.6 million, decreased by 98% yoy. The advertising services and others were least affected by the epidemic, the revenue was RMB 83.7 million, down by 64.5% yoy. The company's revenue for the interim was lower than our expectation, especially entertainment content service revenue.

The movie sector is expected to rebound in 2H20, despite the poor performance in 1H20

All movie theaters in China have been temporarily closed from 24th January 2020, due to the epidemic. Therefore, the total box office and the number of movie viewings in China in the first half of 2020 have dropped significantly yoy. Further, the Spring Festival movies and other movie projects that the company have participated in production/distribution had all been postponed. The company unconditionally refunded all the movie tickets of the movies withdrawn during the Chinese New year holidays, and paid all refunds in advance. The accumulated refunds amounted to about 5 million tickets worth over RMB 200 million.

Starting from July 20, 2020, movie theaters in China have resumed operation in an orderly manner. The day-box office continued to grow after the reoperation of work and the cumulative box office broke the RMB 100 million mark in the first week after the reoperation of cinemas. According to the data of Maoyan Pro, China's total box office for the week from August 10th to 16th was RMB 270 million. We believe this figure is relatively impressive considering that no high quality/highly anticipated movies were released during that period.

"The Eight Hundred" was released on the 21th of August. The total box office was more than 700 million yuan for the three days since it was released, reflecting the strong demand of high quality cinema movies from the people in China. Starting from August 10th, local governments have introduced a series of strategies, such as raising the attendance rate of cinemas to 50%, with the aim to help the recovery of the Chinese movie sector. In addition, many highly anticipated movies had finalized their release date recently, including ¡§My People My Homeland¡¨, ¡§Master Jiang and The Six Kingdoms¡¨ and ¡§Leap¡¨. The management expressed full confidence in the control of the epidemic in China, and believed that with the further control of the epidemic, the government's epidemic prevention measures for movie theaters will gradually relax. The number of movie viewings and box office are expected to return to pre-epidemic levels.

The company has a huge new-movie reserves, many of those will be released in 2H20

2020 is the first year that Maoyan has served as the lead producer for Chinese movies. The company has continuously strengthened its ability to produce high quality content during the epidemic. The company's self-produced film "Back to the Wharf" was nominated for the Golden Goblet Awards in the 23rd Shanghai International Film Festival, fully demonstrated the company's ability of creating quality content. On the other hand, the company currently has a large movie reserve, with many movies waiting to be released. Among them, "Leap", "Master Jiang and The Six Kingdoms" and other Spring Festival films have been scheduled to release during the National Day period. Other movies such as ¡§One Second¡¨ directed Zhang YiMou, ¡§Assassin in Red¡¨ directed by Lu Yang, ¡§Sons of the Neon Light¡¨ and ¡§Warrior of Futures¡¨ will all be released at an appropriate schedule later on.

The epidemic has accelerated the company's business expansion to online distribution

During the epidemic, the vast majority of movies such as ¡§Lost in Russia¡¨ and ¡§The Winner¡¨ have been distributed through online video platforms. However, there are huge differences in the business models and attributes (including film returns, cost input, content, etc.) between online movies and theatrical movies. Therefore, there is no duplication or contradiction between the two sub-sectors. The company's big data analysis used to serve the theatrical movies and have a market leading position. However, since the cinemas were closed down during the epidemic, the company has also acted distributor for multiple online movies and TV series, and have achieved impressive results. The company has now equipped with the ability to act as the lead distributor for online movies and TV series. Therefore, the epidemic has in a sense accelerated the company's online distribution business expansion. We believe that the company will gradually extend its advantages in the theatrical movie sector to the online movie sector.

The Multilateral cooperation of ¡§TenMao¡¨ Alliance

In the July of 2019, Tencent and Maoyan have initiated the ¡§TenMao¡¨ Alliance. In 1H20, they have deepened their collaboration in multiple entertainment formats (Music, online TV series, live entertainment events). First of all, the company has laid the groundwork to form a movie-TV soundtrack value chain in 1H20 for the first time and have reached an exclusive copyright sharing agreement with Tencent Music Entertainment Group regarding the original soundtrack for Shichahai (¤°«b®ü), a popular TV series simultaneously broadcasted on CCTV 1, Tencent Video, iQIYI, and Youku. Further, Tencent Video and Maoyan have also strengthen their business collaboration in TV drama production by co-producing TV dramas such as ¡§Miss Crow and Mr. Lizard¡¨ as well as ¡§Babel¡¨. In addition, Maoyan has acted as the exclusive ticketing agency and distribution partner for ¡§Rocket Girls 101¡¨ live concert and the exclusive general ticketing agency for the ¡§2020 Honor of Kings World Final Championship Cup¡¨. Both of these events were backed by Tencent. Lastly, Maoyan Pro officially interfaced with Tencent Video to exchange data about online movie revenue split between partners. Thus the company became the first platform in China that have integrated access to the online movie box office data from Tencent Video, iQIYI, and Youku. This has provided a certain degree of transparency for the online film industry in terms of online movie revenue split. In conclusion, ever since the initiation of the ¡§TenMao¡¨ alliance last year, the two companies have deepened their strategic collaboration in different aspects. We believe they will continue their strategic partnership in the future and they are expected to fully utilize their advantages and resources in the whole pan entertainment industry.


We are optimistic about the recovery of the film industry in 2H20 and the high growth brought by the company's future expansion of businesses. Although the company's 2020 interim results were set back by the epidemic and were worse than our expectations, we believe that the epidemic will not affect the company's long-term growth logic and have in some ways accelerated the company's business expansion. We have lowered the adjusted EPS of the company for 2020 to RMB 0.07, and increased the adjusted EPS of 2021/2022 to RMB 0.87/1.16. We have raised the target price to HKD 16.86, representing 17.5x/13.1x FY2021E/FY2022E adjusted P/E. We maintain the ¡§Accumulate¡¨ rating. (Market closing price as of 4th Sept) (exchange rate: RMB 0.9/HKD)


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Recommendation on 9-9-2020
Price on Recommendation Date$ 15.220
Suggested purchase priceN/A
Target Price$ 16.860
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Kevin Chiu
(Research Analyst)
Tel: +852 2277 6514

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